First-time observation of Mastro Giorgio masterpieces by means of non-destructive techniques (Articolo in rivista)

Type
Label
  • First-time observation of Mastro Giorgio masterpieces by means of non-destructive techniques (Articolo in rivista) (literal)
Anno
  • 2006-01-01T00:00:00+01:00 (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#doi
  • 10.1007/s00339-006-3549-5 (literal)
Alternative label
  • G. Padeletti (1); G.M.Ingo (1); A. Bouquillon (2); S. Pages-Camagna (2); M. Acouturier (2); S. Rohers (2); P. Fermo (3); (2006)
    First-time observation of Mastro Giorgio masterpieces by means of non-destructive techniques
    in Applied physics. A, Materials science & processing (Print); Springer, Heidelberg (Germania)
    (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#autori
  • G. Padeletti (1); G.M.Ingo (1); A. Bouquillon (2); S. Pages-Camagna (2); M. Acouturier (2); S. Rohers (2); P. Fermo (3); (literal)
Pagina inizio
  • 475 (literal)
Pagina fine
  • 483 (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#numeroVolume
  • 83 (literal)
Rivista
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#pagineTotali
  • 9 (literal)
Note
  • Scopu (literal)
  • ISI Web of Science (WOS) (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#affiliazioni
  • 1) CNR, ISMN, I-00016 Monterotondo, Roma, Italy 2) C2RMF, CNRS, UMR 171, F-75001 Paris, France 3) Univ Milan, Dipartimento Chim Inorgan Met Organ & Analit, Milan, Italy (literal)
Titolo
  • First-time observation of Mastro Giorgio masterpieces by means of non-destructive techniques (literal)
Abstract
  • For the first time some excellent pieces belonging to the majolica production of the great master Giorgio Andreoli from Gubbio (Central Italy) have been characterized from a chemical and structural point of view with the aim to identify the composition of both pigments and lustres. A series of particle-induced X-ray emission (PIXE), Rutherford backscattering spectrometry (RBS) and Raman analyses have been performed on some plates coming from Museo del Palazzo dei Consoli (Gubbio) and several French museums (Louvre, Musee National de la Ceramique, Musee National de la Renaissance) lustred by Giorgio Andreoli and decorated by famous majolica painters such as Francesco Xanto Avelli. The three techniques are complementary and useful in the investigation of art objects since they are non-destructive. Furthermore, the low detection limits allow the identification of all elements and compounds present, and RBS allows concentration profiling, too. It is worth noticing that the examined objects are characterized by the presence of both gold and ruby-red lustres, a peculiarity of Mastro Giorgio's technique. The measurements by PIXE and RBS have been carried out on the AGLAE accelerator at C2RMF, Louvre Palace. (literal)
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