Multi-criterial Studies of the Masterpiece The Last Judgement, Attributed to Hans Memling, at the National Museum of Gdansk (2010-2013) (Contributo in volume (capitolo o saggio))

Type
Label
  • Multi-criterial Studies of the Masterpiece The Last Judgement, Attributed to Hans Memling, at the National Museum of Gdansk (2010-2013) (Contributo in volume (capitolo o saggio)) (literal)
Anno
  • 2014-01-01T00:00:00+01:00 (literal)
Alternative label
  • IWONA SZMELTER, LAURA CARTECHINI, ALDO ROMANI, LUCA PEZZATI (2014)
    Multi-criterial Studies of the Masterpiece The Last Judgement, Attributed to Hans Memling, at the National Museum of Gdansk (2010-2013)
    Royal Society of Chemistry, Cambridge (Regno Unito) in Science and Art: The Painted Surface, 2014
    (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#autori
  • IWONA SZMELTER, LAURA CARTECHINI, ALDO ROMANI, LUCA PEZZATI (literal)
Pagina inizio
  • 230 (literal)
Pagina fine
  • 251 (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#url
  • http://www.rsc.org/shop/books/2014/9781849738187.asp (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#titoloVolume
  • Science and Art: The Painted Surface (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#pagineTotali
  • 21 (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#affiliazioni
  • Faculty of Conservation - Restoration of Artworks, Academy of Fine Art (AFA), Warsaw, Poland; Institute of Molecular Science and Technologies (ISTM) - CNR, Perugia, Italy Department of Chemistry and Centre of Excellence SMAArt, University of Perugia, Italy Istituto Nazionale di Ottica (INO) - CNR, Art Diagnostic Group, Firenze, Italy (literal)
Titolo
  • Multi-criterial Studies of the Masterpiece The Last Judgement, Attributed to Hans Memling, at the National Museum of Gdansk (2010-2013) (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#isbn
  • 978-1-84973-818-7 (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#curatoriVolume
  • Antonio Sgamellotti , Brunetto Giovanni Brunetti, Costanza Miliani (literal)
Abstract
  • The glorious triptych of Gda?sk, the ,,Last Judgement\" ascribed to Hans Memling, had a very intricate history during the last five years of its creation, starting from 1473 when it was captured by pirates as a war-trophy. What's more, the latest, fascinating findings proved this artpiece to be even more intriguing. Researchers reconstructed artist painting practice and identified materials by an integrated muti-technique analytical approach. The secret of the masterpiece lies in the multiple versions of the underdrawing by more than one artist. This dissertation evaluates the results from different methods in the overall context and explaining the significant changes of the draw and under-drawing (design) of the central panel and of hundreds of smaller details anywhere in the triptych. The heuristic findings bring the reader to the knowledge of the technique and of the fascinating creative process of the painting. The aesthetically wonderful triptych as a material object is an important source of evidence about itself. On the base of technical evidences, probably it was designed by Rogier van der Weyden after 1460, and then continued by Hans Memling in Bruges. This genial artwork stands at the point of transition between Gothic art, proto Northern Renaissance and Italian Renaissance. (literal)
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