http://www.cnr.it/ontology/cnr/individuo/prodotto/ID248844

Non-invasive differentiation between natural and synthetic ultramarine blue pigments by means of 250-900 nm FORS analysis (Articolo in rivista)

Type

Articolo in rivista (Classe)
Prodotto della ricerca (Classe)

Label

Non-invasive differentiation between natural and synthetic ultramarine blue pigments by means of 250-900 nm FORS analysis (Articolo in rivista) (literal)

Anno

2013-01-01T00:00:00+01:00 (literal)

Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#doi

10.1039/c3ay40583d (literal)

Alternative label

M. Aceto, A. Agostino, G. Fenoglio, M. Picollo (2013)
Non-invasive differentiation between natural and synthetic ultramarine blue pigments by means of 250-900 nm FORS analysis
in Analytical methods (Print); The Royal Society of Chemistry, Cambridge (Regno Unito)
(literal)

Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#autori

M. Aceto, A. Agostino, G. Fenoglio, M. Picollo (literal)

Pagina inizio

4184 (literal)

Pagina fine

4189 (literal)

Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#url

http://www.rsc.org/methods (literal)

Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#numeroVolume

5 (literal)

Rivista

Analytical methods (Rivista)

Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#pagineTotali

6 (literal)

Note

Google Scholar (literal)

Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#affiliazioni

Dipartimento di Scienze e Innovazione Tecnologica & CenISCo (Centro Interdisciplinare per lo Studio e la Conservazione dei Beni Culturali), Università del Piemonte Orientale, viale Teresa Michel, 11, 15121 Alessandria, Italy. E-mail: maurizio.aceto@mfn.unipmn.it; Fax: +39 0131 360250; Tel: +39 0131 360265 Dipartimento di Chimica & Centro di Eccellenza NIS (Nanostructured Interfaces and Surfaces), Università di Torino, corso M. d'Azeglio, 48, 10125 Turin, Italy. E-mail: angelo.agostino@unito.it; Fax: +39 011 6707585; Tel: +39 011 6707585 Istituto di Fisica Applicata \"Nello Carrara\" del Consiglio Nazionale delle Ricerche (IFAC-CNR), via Madonna del Piano, 10, 50019 Sesto Fiorentino (FI), Italy. E-mail: m.picollo@ifac.cnr.it; Fax: +39 055 5226374; Tel: +39 055 5226360 (literal)

Titolo

Non-invasive differentiation between natural and synthetic ultramarine blue pigments by means of 250-900 nm FORS analysis (literal)

Abstract

A totally non-invasive procedure has been developed for differentiation of natural and synthetic ultramarine blue pigments on the basis of collection of UV-visible spectra in diffuse reflectance mode, followed by a chemometric treatment of the data using unsupervised pattern recognition methods. The main spectral features of natural and synthetic paint samples, i.e. reflection maxima, inflection points and reflection minima, could not be useful enough in the differentiation process; a threshold of 455 nm in the comparison of reflectance maxima has been observed, with synthetic samples peaking lower than this value and natural samples peaking higher, but it was not considered efficient in the differentiation, according to the fact that reflection maxima could be subjected to a bathochromic shift as a consequence of the addition of white pigments to blue paints. Chemometric analysis was therefore used in order to exploit information contained in the whole spectrum. To obtain an efficient classification, a proper data transformation was performed on the spectral data, using Z-score standardised variables. Principal Component Analysis (PCA) and Hierarchical Cluster Analysis (HCA) were the unsupervised pattern recognition methods used on the spectral data. Chemometric treatment was firstly applied to analysis of standard ultramarine blue paints and powder pigments and showed a good differentiation power, making it possible to distinguish between paints and raw lapis lazuli items and, more interestingly, between natural and synthetic ultramarine blue paints. Afterwards, PCA and HCA were applied to the analysis of blue paints on miniature painting artworks, again succeeding in the differentiation. This procedure could be used to develop a simple and totally non-invasive method for authenticating painted artworks. (literal)

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