Non-destructive characterisation of fourteenth century painting by means of molecular spectrosocpy and unilateral NMR (Articolo in rivista)

Type
Label
  • Non-destructive characterisation of fourteenth century painting by means of molecular spectrosocpy and unilateral NMR (Articolo in rivista) (literal)
Anno
  • 2013-01-01T00:00:00+01:00 (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#doi
  • 10.1179/1743294412Y.0000000065 (literal)
Alternative label
  • N. Marchettini, A. Atrei, F. Benetti, N. Proietti, V. Di Tullio, M. Mascalchi,I. Osticioli, S. Siano,I. Turbanti Memmi (2013)
    Non-destructive characterisation of fourteenth century painting by means of molecular spectrosocpy and unilateral NMR
    in Surface engineering
    (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#autori
  • N. Marchettini, A. Atrei, F. Benetti, N. Proietti, V. Di Tullio, M. Mascalchi,I. Osticioli, S. Siano,I. Turbanti Memmi (literal)
Pagina inizio
  • 153 (literal)
Pagina fine
  • 158 (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#url
  • http://www.ingentaconnect.com/content/maney/se/2013/00000029/00000002 (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#numeroVolume
  • 29 (literal)
Rivista
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#numeroFascicolo
  • 2 (literal)
Note
  • Scopus (literal)
  • ISI Web of Science (WOS) (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#affiliazioni
  • 1 Dipartimento di Chimica, Università di Siena 2 Istituto di Metodologie Chimiche, CNR Roma 3 Istituto di Fisica Applicata \"Nello Carrara\", CNR Firenze 4 Dipartimento di Scienze della Terra, Università di Siena (literal)
Titolo
  • Non-destructive characterisation of fourteenth century painting by means of molecular spectrosocpy and unilateral NMR (literal)
Abstract
  • The present work was aimed at characterising the materials and assessing the state of conservation of the 'Adorazione dei Magi', a wooden panel painted by Bartolo di Fredi in the second half of fourteenth century. To this goal, innovative non-destructive investigation techniques such as portable Raman spectroscopy, visible reflectance spectroscopy and unilateral nuclear magnetic resonance, were used in situ in order to achieve surface and bulk compositional data. The former allowed the identification of the artist's palette including cinnabar, red ochre, minium, carbon black, lead white, ultramarine blue, malachite and phthalocyanine green, while the latter provided information on the stratigraphic structure and state of conservation of the wooden panel. (literal)
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