Processing sampled 3D data: reconstruction and visualization technologies (Contributo in volume (capitolo o saggio))

Type

• Contributo in volume (capitolo o saggio) (Classe)
• Prodotto della ricerca (Classe)

Label

• Processing sampled 3D data: reconstruction and visualization technologies (Contributo in volume (capitolo o saggio)) (literal)

Anno

• 2011-01-01T00:00:00+01:00 (literal)

Alternative label

• Callieri M., Dellepiane M., Cignoni P., Scopigno, R. (2011)
  Processing sampled 3D data: reconstruction and visualization technologies
  CRC Press, Boca Raton (Stati Uniti d'America) in Digital Imaging for Cultural Heritage Preservation: Analysis, Restoration, and Reconstruction of Ancient Artworks, 2011
  (literal)

Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#autori

• Callieri M., Dellepiane M., Cignoni P., Scopigno, R. (literal)

Pagina inizio

• 105 (literal)

Pagina fine

• 136 (literal)

Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#url

• http://www.routledge.com/books/details/9781439821732/ (literal)

Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#titoloVolume

• Digital Imaging for Cultural Heritage Preservation: Analysis, Restoration, and Reconstruction of Ancient Artworks (literal)

Note

• PuMa (literal)

Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#affiliazioni

• CNR-ISTI, Pisa, Italy (literal)

Titolo

• Processing sampled 3D data: reconstruction and visualization technologies (literal)

Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#isbn

• 9781439821732 (literal)

Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#curatoriVolume

• Filippo Stanco, Sebastiano Battiato, Giovanni Gallo (literal)

Abstract

• The introduction of new technologies in the context of Cultural Heritage (CH) and Archeology has often been a difficult issue. This is probably related to the lack in confidence in replacing consolidated approaches with experimental methods heavily based on innovative hardware or software systems. This already happened for a number of revolutionary technologies: for example, the advent of photography, color images and digital cameras took some time before changing the reference methods for archival and studies in the context of archeological excavation or of restoration actions. The same considerations hold for the use of digital 3D models in CH applications. One basic issue is the need to switch from a two-dimensional visualization and reasoning approach (essentially based on photos and drawings) to the possibility to explore and visualize the object in its full three-dimensional (3D) nature. Nevertheless, in the last few years both 3D modeling and 3D scanning have become a valued way to present and analyze CH artifacts. Several interesting practical applications have been made available to the publicly in museums, or virtually on the Web. Here we just cite a single sample paper [56], which deals with the problem of interactive inspection and rendering of complex 3D models; many other experiences are presented in this Chapter. (literal)

Editore

• CRC Press (Editore)

Prodotto di

• Istituto di scienza e tecnologie dell'informazione \"Alessandro Faedo\" (ISTI) (Istituto)
• Tecniche avanzate per l'analisi e la sintesi di forme digitali 3D (ICT.P10.009.001) (Modulo)
• Tecnologie innovative di accesso digitale ai beni culturali (PC.P05.003.001) (Modulo)

Autore CNR

• PAOLO CIGNONI (Unità di personale interno)
• ROBERTO SCOPIGNO (Unità di personale interno)
• MARCO CALLIERI (Unità di personale interno)
• MATTEO DELLEPIANE (Persona)

Incoming links:

Prodotto

• Istituto di scienza e tecnologie dell'informazione \"Alessandro Faedo\" (ISTI) (Istituto)
• Tecniche avanzate per l'analisi e la sintesi di forme digitali 3D (ICT.P10.009.001) (Modulo)
• Tecnologie innovative di accesso digitale ai beni culturali (PC.P05.003.001) (Modulo)

Autore CNR di

• ROBERTO SCOPIGNO (Unità di personale interno)
• MARCO CALLIERI (Unità di personale interno)
• PAOLO CIGNONI (Unità di personale interno)
• MATTEO DELLEPIANE (Persona)

Editore di

• CRC Press (Editore)