http://www.cnr.it/ontology/cnr/individuo/prodotto/ID195637
Reflection infrared spectroscopy for the non-invasive in situ study of artists' pigments (Articolo in rivista)
- Type
- Label
- Reflection infrared spectroscopy for the non-invasive in situ study of artists' pigments (Articolo in rivista) (literal)
- Anno
- 2012-01-01T00:00:00+01:00 (literal)
- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#doi
- 10.1007/s00339-011-6708-2 (literal)
- Alternative label
- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#autori
- C. Miliani · F. Rosi · A. Daveri · B.G. Brunetti (literal)
- Pagina inizio
- Pagina fine
- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#numeroVolume
- Rivista
- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#pagineTotali
- Note
- ISI Web of Science (WOS) (literal)
- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#affiliazioni
- Istituto CNR di Scienze e Tecnologie Molecolari (CNR-ISTM), c/o Dipartimento di Chimica, Università degli Studi di Perugia
Centro SMAArt, c/o Dipartimento di Chimica, Università degli Studi di Perugia, via Elce di Sotto 8, 06123 Perugia, Italy (literal)
- Titolo
- Reflection infrared spectroscopy for the non-invasive in situ study of artists' pigments (literal)
- Abstract
- The potential of fibre optic reflection infrared
spectroscopy for the non-invasive identification of artists'
pigments is presented. Sixteen different carbonate, sulphate
and silicate-based pigments are taken into account considering
their wide use during the history of art and their infrared
optical properties. The infrared distortions mainly generated
by the specular reflection are discussed on the basis of experimental
measurements carried out on reference samples. The
study on pure materials permitted the definition of marker
bands, mainly combination and overtone modes, enhanced
by the diffuse reflection component of the light, functional
for the non-invasive pigment identification in real artworks.
Several case studies are reported, including wall, easel, canvas
paintings and manuscripts from ancient to modern art
demonstrating the strengths of the technique on the identification
of pigments even in the presence of complex mixtures
of both organic (binders, varnishes) and inorganic (supports,
fillers and other pigments) compounds. (literal)
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- Autore CNR
- Insieme di parole chiave
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