http://www.cnr.it/ontology/cnr/individuo/prodotto/ID195623
Photoluminescence Properties of Zinc Oxide in Paints: A Study of the Effect of Self-Absorption and Passivation (Articolo in rivista)
- Type
- Label
- Photoluminescence Properties of Zinc Oxide in Paints: A Study of the Effect of Self-Absorption and Passivation (Articolo in rivista) (literal)
- Anno
- 2012-01-01T00:00:00+01:00 (literal)
- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#doi
- 10.1366/12-06643 (literal)
- Alternative label
Clementi, Catia; Rosi, Francesca; Romani, Aldo; Vivani, Riccardo; Brunetti, Brunetto G.; Miliani, Costanza (2012)
Photoluminescence Properties of Zinc Oxide in Paints: A Study of the Effect of Self-Absorption and Passivation
in Applied spectroscopy (Online)
(literal)
- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#autori
- Clementi, Catia; Rosi, Francesca; Romani, Aldo; Vivani, Riccardo; Brunetti, Brunetto G.; Miliani, Costanza (literal)
- Pagina inizio
- Pagina fine
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- Rivista
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- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#numeroFascicolo
- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#affiliazioni
- Department of Chemistry, University of Perugia, via Elce di Sotto 8, 06123 Perugia Italy
SMAArt, Department of Chemistry, University of Perugia, via Elce di Sotto 8, 06123 Perugia Italy
CNR-ISTM, Department of Chemistry, University of Perugia, via Elce di Sotto 8, 06123 Perugia Italy (literal)
- Titolo
- Photoluminescence Properties of Zinc Oxide in Paints: A Study of the Effect of Self-Absorption and Passivation (literal)
- Abstract
- Zinc oxide has been widely used as a white artist pigment since the end of
the eighteenth century. The luminescence properties of this compound
have received great interest during the last decades for promising
applications in different fields of material science, but their diagnostic
implications in the cultural-heritage context have been poorly exploited.
This paper is intended to provide a clear picture of the luminescence
behavior of zinc white in oil paintings. With this aim, three white pigments
and three highly pure (analytical grade) zinc oxides were studied as
powder substrates and as painting models by ultraviolet-visible (UV-VIS)
fluorescence and Fourier transform infrared (FT-IR) spectroscopy. The
quenching of the luminescence intensity of the UV excitonic emission due
to self-absorption and multiple scattering phenomena has been investigated,
pointing out the possible difficulty of detecting this signal with
negative consequences in the diagnostics of works of art. By contrast, the
UV emission is notably enhanced by interaction with the binder, whereas
the visible emission decreases. This phenomenon is probably due to the
formation of covalent bonds between zinc atoms and carboxylates from
the lipidic medium that are chemisorbed on zinc oxide surfaces. (literal)
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