http://www.cnr.it/ontology/cnr/individuo/prodotto/ID179966
Iraq Project: the Virtual Museum of Baghdad (Articolo in rivista)
- Type
- Label
- Iraq Project: the Virtual Museum of Baghdad (Articolo in rivista) (literal)
- Anno
- 2007-01-01T00:00:00+01:00 (literal)
- Alternative label
- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#autori
- Silvia Maria Chiodi (literal)
- Pagina inizio
- Pagina fine
- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#altreInformazioni
- Il lavoro espone il \"Porgetto Museo virtuale di Baghdad\" prima e secondo mudulo finanziato dal Ministero degli Affari Esteri nel quadro degli interventi umanitari in Iraq e come tale rientrava in due decreti leggi. Consta di un progetto che faceva capo alla DCSPI della sede centrale e di una commessa -di respiro più ampio come si desume dal titolo - in ambedue i casi il responsabile era l'autore dell'articolo di cui sopra (literal)
- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#numeroVolume
- Rivista
- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#pagineTotali
- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#affiliazioni
- Titolo
- Iraq Project: the Virtual Museum of Baghdad (literal)
- Abstract
- The Author relates, in this article, the origin of \"Iraq Project: the Virtual Museum of
Baghdad\", and proposes two projects that was approved by the Ministry of Foreign Affairs
(MAE) which, as part of the humanitarian mission of stabilization and reconstruction in Iraq
intended to contribute to the funding of activities and initiatives aimed at the reconstruction
and safeguarding as well as the enhancement of the Iraqi cultural heritage.
A few days after the entry of the US army into Baghdad, the looting and partial destruction
of the exhibits contained in the Iraq Museum occurred. After the Museum was looted,
the objects which remained and were still on exhibit in the rooms were gradually removed to
the storerooms that were sealed in 2004. Only the exhibits which were impossible to move
remained in their original places.
Starting off from the assumption that very few people in the world have been fortunate
enough to visit the Iraq Museum and that the Museum will probably be closed for a long
time, we felt that it was necessary to reconstruct virtually so that the IT visitor could enter,
wander through and observe the most important exhibits kept there. At the same time, the
Virtual Museum makes it possible to explore and come to know the ancient civilizations and
the geographical context in which these arose.
The Virtual Museum should facilitate the utilization and understanding of the cultural,
historic and scientific artifacts of the Museum without limits of space and time. An analytical
presentation is provided that is extremely rich in content, flexible and lends itself to personalization
by the user. It offers in addition the advantage of a presentation made possible by
instruments for the simplification and narration required for a public of non-specialists. (literal)
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