http://www.cnr.it/ontology/cnr/individuo/prodotto/ID64894
Preserving car sylists' design intent through an ontology (Articolo in rivista)
- Type
- Label
- Preserving car sylists' design intent through an ontology (Articolo in rivista) (literal)
- Anno
- 2008-01-01T00:00:00+01:00 (literal)
- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#doi
- 10.1007/s12008-007-0031-3 (literal)
- Alternative label
- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#autori
- Vincent Cheutet; Jean-Claude Léon; Chiara Eva Catalano; Franca Giannini; Marina Monti; Bianca Falcidieno (literal)
- Pagina inizio
- Pagina fine
- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#numeroVolume
- Rivista
- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#note
- Springer Verlag (literal)
- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#numeroFascicolo
- Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#affiliazioni
- Vincent Cheutet, Laboratoire G-SCOP, Domaine Universitaire, Grenoble, France
Jean-Claude Léon, Laboratoire G-SCOP, Domaine Universitaire, Grenoble, France
Chiara Eva Catalano, IMATI-CNR, 6 via de Marini, Genova, Italy
Franca Giannini, IMATI-CNR, 6 via de Marini, Genova, Italy
Marina Monti, IMATI-CNR, 6 via de Marini, Genova, Italy
Bianca Falcidieno, IMATI-CNR, 6 via de Marini, Genova, Italy (literal)
- Titolo
- Preserving car sylists' design intent through an ontology (literal)
- Abstract
- This paper presents a first step in the elaboration
of a knowledge-based modelling environment supporting
the conceptual design phase of an industrial product;
more precisely, car styling is the considered application field.
To capture and structure the semantics embedded in the first
sketches representing the product, an ontology has been created
and will be the interface between the modeller and the
stylist to generate and manipulate the curves forming the
basic framework of the product shape at the early design
phase. The ontology has been conceived in two layers: the
first fragment captures the contextual semantic information
specific to cars. Whereas the second fragment is productindependent
and is related to the manipulation of curves
based on a process grammar, providing an exhaustive and
intuitive classification and manipulation of curves. The links
between these two subsets will be able to map the aesthetic
intent through shape characteristics and operators intuitive
for designers (literal)
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