Nanostructures in Ancient Works of Art (Contributo in volume (capitolo o saggio))

Type
Label
  • Nanostructures in Ancient Works of Art (Contributo in volume (capitolo o saggio)) (literal)
Anno
  • 2010-01-01T00:00:00+01:00 (literal)
Alternative label
  • G. M. Ingo, G. Padeletti, S. Viticoli (2010)
    Nanostructures in Ancient Works of Art
    American Scientific Publishers, 26650 The Old Road, Suite 208 Valencia, California 91381-0751, USA (Stati Uniti d'America) in Encyclopedia of Nanoscience and Nanotechnology Volume X, 2010
    (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#autori
  • G. M. Ingo, G. Padeletti, S. Viticoli (literal)
Pagina inizio
  • 1 (literal)
Pagina fine
  • 14 (literal)
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  • Encyclopedia of Nanoscience and Nanotechnology Volume X (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#volumeInCollana
  • X (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#pagineTotali
  • 14 (literal)
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  • G. M. Ingo [1] G. Padeletti [1], S. Viticoli [2] [1] Istituto per lo Studio dei Materiali Nanostrutturati, Consiglio Nazionale delle Ricerche, Area della Ricerca di Roma 1, Montelibretti, via Salaria km 29.3, 00016 Monterotondo, Rome, Italy [2] Dipartimento Progettazione Molecolare, Consiglio Nazionale delle Ricerche, via dei Taurini 19, 00185, Rome, Italy (literal)
Titolo
  • Nanostructures in Ancient Works of Art (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#isbn
  • 1-58883-001-2 (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#autoriVolume
  • Vari (literal)
Http://www.cnr.it/ontology/cnr/pubblicazioni.owl#curatoriVolume
  • Edited by Hari Singh Nalwa (literal)
Abstract
  • This review has illustrated some examples of the different types of nanostructures present in ancient ceramic and metallic works of art and has evidenced that manmade nanostructured materials are not of recent origin. The results reported show the presence of different nanostructures in metallic and ceramic artistic or common use objects, give some details on the ancient manufacturing technologies and reveal the great empirical competence reached by the ancient artists, masters, and craftsmen that produced objects whose artistic quality could not be bettered in ancient times and has not been yet reached in modern ones. The information about the raw materials and their tailored use as well as the high level of technological skill applied in working, producing and manipulation processes disclose that ancient works of art constitute an important document for the history of art as well as of ceramic and metal technology. (literal)
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